Mariana Castillo Deball, Daniel Ricardo Quiles & Yesomi Umolu 149. Julia Phillips and Mariana Castillo-Deball (Visual Arts) listed among top artists "helping to define, question, and evolve" the future of sculpture. Julia Phillips's debut novel, Disappearing Earth, is on sale now. Skip to internal navigation, Department of Visual Arts (DOVA) Mark Salber Helen Molesworth 150. Join Facebook to connect with Julia Phillips and others you may know. Alan E. Steinweis and Robert D. Rachlin, eds., The Law in Nazi Germany: Ideology, Opportunism, and the Perversion of Justice; Kim C. Priemel and Alexa Stiller, Reassessing the Nuremberg Military Tribunals: Transitional Justice, Trial Narratives, and Historiography "Without Exception: On the Ordinariness of Violence" Los Angeles Review of Books Lauren Berlant (English Language and Literature) discusses the pervasive nature of violence. He elucidates the rules and principles governing how words (and smaller linguistic units) can and cannot be combined to form larger syntactic units, how these rules and principles do and do not vary across languages, and what their cognitive (and other) underpinnings are. for art related inquiries please contact: info(at)matthewmarks.com - - - for academic inquiries please contact: juliaphillips(at)uchicago.edu She is a regular contributor to the Funambulist magazine. She was awarded the National Science Foundation’s Graduate Research Fellowship and obtained her MA and PhD in linguistics from Stanford University. show ‘We Go As They’ at the Studio Museum in Harlem, which now holds her work in its permanent collection. Julia Phillips was born and raised in Hamburg, Germany. 1115 East 58th Street | Chicago, IL 60637 She is also interested in the multilingual expressions and experiences of Latinx and queer identities. Senam Okudzeto 148. Colonial administrators and observers hoped that wage relations would train Black West Indians not only to be responsible for their affairs but also to form nuclear families. Alberto Aguilar 152. She is particularly interested in nonfiction writers’ experimentation with nontraditional essay structure. His major publications include Uncovering Heian Japan: An Archaeology of Sensation and Inscription (Duke University Press, 2000), a study of the formation of media networks that connected the Heian court of Japan (AD 794–1183) to other quasi-dynastic political communities across Korea and China, and Shadows on the Screen: Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics (University of Michigan Center for Japanese Studies, 2005), which explores the relation between the emergence of global cinema and the “racial solution” of imperial nationalism. For his next research project, Zyman will be developing a novel definition of the fundamental syntactic operation Merge (which takes two words or phrases and combines them to form a larger phrase)—one that preserves the theoretical and empirical successes of previous definitions of Merge while overcoming some of their drawbacks. Her work has been published in the field’s flagship journal Language, as well as, most recently, in the Annual Review of Linguistics. A Fulbright fellow, Julia has written for The New York Times, The Atlantic, and The Paris Review.She lives in Brooklyn. Miye Nadya Tom, Julia Suárez-Krabbe, and Trinidad Caballero Castro Pedagogy of Absence, Conflict, and Emergence: Contributions to the Decolonization of Education from the Native American, Afro-Portuguese, and Romani Experiences, Comparative Education Review 61, no.S1 S1 (Mar 2017): S121-S145. Cai Guo Qiang 142. Julia Phillips was born and raised in Hamburg and is the citizen of Germany and the United States. In addition to video and works on paper, Phillips works primarily with ceramics and metal, creating sculptures reminiscent of functional objects that relate to the human body. Linda Goluch Phillips, AB'74, MD'78, is chief of the division of plastic and reconstructive surgery at the University of Texas Medical Branch at Galveston. 773-753-4821 He also holds a master’s degree in engineering from the École des Mines d’Alès and has previously worked as a consultant and project manager in Paris and London. Her most recent exhibitions were a group show at The Kitchen, 'Dreamers Awake' at White Cube, and the A.I.R. Please contact Bonnie Kanter, Student Affairs Administrator at the Center for the Study of Gender and Sexuality (773-702-2365; bonniek@uchicago.edu) for specific … She holds a PhD in American studies and African American studies, with a certificate in women’s, gender, and sexuality studies, from Yale University. dova@uchicago.edu. Covering a wide range of disciplines and intellectual interests reflecting the interdisciplinary nature of our program, the faculty at the University of Chicago are internationally celebrated artists working at one of the premier research universities in the United States. Post’s current book project, “Deadpan,” examines performances of inexpression and affective withholding in Black arts and culture, arguing that purposeful withholding is an underappreciated critical tool in Black cultural production. Drawing on the work of theorists such as Luce Irigaray, Julia Kristeva, and Judith Butler, we will explore what strategies these writers employ to depict an entity understood to be unrepresentable. The University of Chicago ... 5733 S. University Ave. Chicago, IL 60637 (p) 773-702-8063 (e) csrpc@uchicago.edu. Reva and David Logan Center for the Arts 915 East 60th Street, Suite 236, Chicago, IL 60637 He received a master’s degree in comparative literature from l’Université Sorbonne Nouvelle Paris 3. 915 E 60th St. Glazed ceramics, metal structure, granite tiles, slip cast ceramic microphone mesh, Crossing the Saharan Boundary: Lotus and the Legibility of Africanness, Uncovering Heian Japan: An Archaeology of Sensation and Inscription, Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics, The Anime Machine: A Media Theory of Animation. Born 1985 in Hamburg, lives and works in Chicago and Berlin. Through the late nineteenth and early twentieth centuries, Parsard traces informal relations of wage earning and the concomitant development of a literary and visual repertoire of figures by which West Indians and Britons registered and thought about these relations. Her dissertation focused on verbal art among the Naso (Teribe) people, an Indigenous people of Panamá and Costa Rica. Chicago, IL 60637 He is currently developing a new argument that failing to obey a grammatical requirement imposed by a particular word—which would normally result in an ungrammatical sentence—can actually yield a well-formed output if a larger phrase containing that word subsequently undergoes a syntactically triggered process of ellipsis (deletion). She has researched African Americans’ speech in Bakersfield, California, and Rochester, New York, and she plans to expand this work to Chicago through the Chicagoland Language Project. Early Childhood Research Quarterly 24(3): 271-88. She co-produced with her husband, Michael (and others), three prominent films of the 1970s — The Sting, Taxi Driver, and Close Encounters of the Third Kind — and was the first female producer to win an Academy Award for Best Picture, for The Sting. Her recent paper in the Journal of Linguistic Anthropology, “Ideophone Humor: The Enregisterment of a Stereotype and Its Inversion” (2020), discusses how Naso women mock the stereotype of the Naso rube character for social and political commentary. She also holds an MFA in creative writing and literary arts from the University of Alaska Anchorage and a BA in English literature from Wells College. Jessica Stockholder Associate Provost and Executive Director of UChicago Arts and the Reva and David Logan Center for the Arts. Michael Jones, Julia Barrow, David Crook, and Trevor Foulds, eds., The White Book (“Liber Albus”) of Southwell, with contributions from Neil Bettridge, Jean Cameron, Paul Cavill, and Teresa Webber Tina Post is an assistant professor in English Language and Literature, a faculty member of the Committee on Theater and Performance Studies, and an affiliate of the Center for the Study of Race, Politics, and Culture. Julia Phillips (Visual Arts) explores fragmentation and perspective through sound in new solo exhibition,“Fake Truth.” "Martha Nussbaum Respects The Cynic … Julia Phillips, assistant professor in Visual Arts, primarily works with ceramics and metal, creating pieces reminiscent of functional objects. Most recently, Parsard contributed an essay to the Small Axe exhibition catalog, The Visual Life of Social Affliction, about which she spoke at its opening at Art Basel Miami Beach in 2019. She also recently coauthored a piece with UChicago deputy dean and psychology professor Katherine D. Kinzler in the Los Angeles Times. 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