It was right: simple, driving, direct and blunt. The songs "Fuck and Run", "Never Said" (as "Clean"), "Girls! We recorded "Fuck and Run," and that's when I realized we were on to something. Phair commented, "It's odd... Guyville was such a part of indie. Rated #87 in the best albums of 1993, and #3868 of all-time album.. Exile in Guyville is biting, from the smart jangling guitars that kick off the album to the wonderful train wreck that accompanies the end of the final cut, “Strange Loop.” Phair is not blessed with a great voice, but her flat, sometimes emotionless delivery, coupled with biting lyrics, packs more punch than any earnest-sounding singer could possess. However, the whole process was made difficult by the fact that he and Phair had opposite ideas regarding what direction to take in terms of sound. I do recall there being no lack of candor and if someone wanted to do something, we tried it. Originally, Phair's recordings were supposed to come out on Henderson's label. “Exile in Guyville” is indie rocker Liz Phair’s debut studio album, released in June 1993 by Matador Records. Another problem that arose from her success was also dealing with her stage fright. In 1998, it was certified gold by the RIAA. IF MOST people found Madonna's 1992 album Erotica shocking, there was no way in 1993 the largely sexless world of indie/alternative rock was going to be able to handle Liz Phair's debut, Exile In Guyville. A Second Listen: R.E.M., 'New Adventures in Hi-Fi', A Third Beatles Fantasy Album: Free As A Bird, Album Review: The Sea – Corinne Bailey Rae, Concert Review – Teenage Fanclub, 3/18/19. It was more like collage work than really playing with a band.". A recording of Phair's version of "Wild Thing" (based on the melody of The Troggs song) was planned for inclusion, but dropped at the last moment; the song was later included on the "Girlysound" disc of Phair's "Funstyle" album.[25]. Her signature guitar, which she is often seen playing (and is prominent upon the cover of her self-titled fourth album), is a Fender Duo-Sonic II. Melodic pop and 80s music - especially for you. This really spare beat: just guitar, drums and vocals. I wasn't connecting with relationships. Henderson preferred a stripped-down but precise sound, possibly with outside musicians, while Phair wanted a fuller sound. And then they would go in there and figure out a part and then do it. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. On the previously mentioned “Shatter,” the guitar sings for a full two-and-a-half minutes before she begins singing. I was in a posing kind of mode, yearning to have things happen for me that weren't happening. ", Phair has also stated that most songs on the album were not about her. Though a consummate songwriter, Liz Phair is best known for her pre-Lilith feminist leanings. I was kind of at war with indie when I made that record." Actually we just played our parts separately. Exile in Guyville is the debut studio album by American singer-songwriter Liz Phair, released on June 22, 1993 by Matador Records. Phair interviews, among others, Gerard Cosloy and Chris Lombardi of Matador Records, indie producer Steve Albini, Ira Glass of the public radio program This American Life, John Henderson, Brad Wood, John Cusack (who founded the Chicago avant-garde theater group New Crime Productions) and Urge Overkill. But I had a hunch, and I called her back and said okay."[7]. Being emotionally forthright was the most radical thing I did. Official site . Phair was also responsible for a great part of the artwork design. [23] However, in its 2003 revision of the list, it moved to number 30.[24]. Guitar, Vocals – Liz Phair: 2:03: 15: Johnny Sunshine Bass – Tony Marlotti Drums, Backing Vocals – Brad Wood Guitar, Vocals – Liz Phair: 3:27: 16: Gunshy Guitar [Sick Guitar] – Brad Wood Guitar, Vocals – Liz Phair: 3:15: 17: Stratford-On-Guy Drums – Brad Wood Guitar, Vocals – Liz Phair… [3] In 1999, Pitchfork rated Exile in Guyville as the fifth best album of the 1990s. Liz Phair was apartment-sitting in Chicago, thumbing through a box of cassettes, when the Rolling Stones’ Exile on Main Street caught her eye. Girls! Phair reacted to the reception of Guyville, saying "I don't really get what happened with Guyville. Originally, the album cover was largely collage based and involved "a fat lady in a pool". You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience. Liz Phair is a US singer-songwriter and guitarist. This release is an extensive, limited edition 7-LP or 3-CD box set to celebrate the anniversary of her classic album. It is mandatory to procure user consent prior to running these cookies on your website. It’s a terrible double standard, and while there are exceptions, it’s been the rule ever since the 60s brought on the male singer-songwriter. Sticker on cover reads: 15th Anniversary Reissue. It frequently appears on many critics' best-of lists. Soon she moved into his apartment and started playing her songs to him. Eventually, engineer Casey Rice joined Idful and started working with Phair and Wood as she had no band of her own. Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. Guyville, because it was definitely their sensibilities that held the aesthetic, you know what I mean? [22] In 2020, the album was ranked #56 on Rolling Stone's list of 500 Greatest Albums of All Time. It was sort of guy things - comic books with really disfigured, screwed-up people in them, this sort of like constant love of social aberration. Phair has commented, "It was fun. ", "Flower", "Johnny Sunshine", "Divorce Song", "Soap Star Joe", "Shatter", and "Stratford-on-Guy" (as "Bomb") all originated from a set of home recordings by Phair under the moniker Girly-Sound, and were re-recorded for the album. These cookies do not store any personal information. We also use third-party cookies that help us analyze and understand how you use this website. “And whatever happened to a boyfriend / The kind of guy who tries to win you over?” she laments in “Fuck and Run.” And on “Shatter,” she sings, “Just being with you slapped me right in the face / Nearly broke me in two.”. She used their album as a template if you will and instantly had a title: Phair being the female musician outcast in a city full of male musicians was, herself, the "Exile … Work boots. [7], The term Guyville comes from a song of the same name by Urge Overkill. Exile in Guyville was also a moderate commercial success. Wood stated, "We did two or three evenings of recording just for fun where we tried to discover something. It was the number one album in the year-end critics poll in Spin and the Village Voice Pazz & Jop critics poll.[21]. Exile in Guyville, culled from a few demo tapes, is a masterpiece full of unpredictable, truly independent sounds. The MP3 download ONLY INCLUDES THE GIRLY SOUND TAPES. The album, which was out of print, was again available on CD, vinyl and, for the first time, in digital format. Exile in Guyville, an Album by Liz Phair. [5] The recipients of the Girly-Sound tapes circulated copies with other early fans.[6]. Sometimes Phair is armed only with an electric guitar; other times an eerie piano is the only accompaniment. The final cover design is a photo of Liz topless in a photo booth,[8] taken and cropped by Nash Kato of Urge Overkill. It was recorded at Idful Music Corporation in Chicago between 1991 and 1993 and produced in collaboration by Phair and Brad Wood. About Liz Phair. On the wistful “Explain It to Me,” she plays her guitar over a slow tom-tom; “Canary” features an echoing piano that plays while she sings with tongue firmly planted in cheek, “I come when called / I come, that’s all.”, With the lo-fi production — it sounds almost like Phair plugged in her guitar, pressed record on her tape player, and started playing — she is allowed to be honest, stripped bare of any artificiality. She wasn’t signed by Clive Davis at Arista Records because she didn’t look like Whitney Houston or sing like Celine Dion. Henderson brought in producer Brad Wood to help develop the 4-track demos into full songs. In 2020, it was ranked #56 by Rolling Stone in its 500 Greatest Albums of All Time list. "Johnny Sunshine" was one of the first songs recorded in 1992 that eventually made the record. On March 31, 2008, Pitchfork Media announced that Phair had signed a new deal with ATO Records and that her first release for the label would be a special 15th Anniversary reissue of Exile in Guyville, featuring three bonus tracks from the original Guyville recording sessions and an accompanying DVD about the album's creation. [citation needed] In 2008, Phair stated it was originally "an orgy of Barbies floating in a pool",[8] a concept that Matador rejected, stating that such artwork wouldn't sell. All tracks are written by Liz Phair, except where noted. VH1 named Exile in Guyville the 96th Greatest Album Of All-Time. John Henderson, owner of the Chicago indie label Feel Good All Over, heard the tapes and contacted Phair. With her 18-song double-LP debut, Phair pried the lid off her life and sang away secrets. Your email address will not be published. [9] When asked during an interview with Noah Adams on his radio show All Things Considered about the concept, she elaborated: "It was a state of mind and / or neighborhood that I was living in. From Liz Phair's Girly-Sound To Guyville: the 25th Anniversary Box Set, released May 4th, 2018 from Matador Records. Liz Phair explained the concept of the album on a Billboard article, stating that "For me, Guyville is a concept that combines the smalltown mentality of a 500-person Knawbone, KY.-type town with the Wicker Park indie music scene in Chicago, plus the isolation of every place I've lived in, from Cincinnati to Winnetka". After the early sessions with John Henderson, Liz Phair started working with producer Brad Wood at Idful Studios, in 1992. Initially, there were many time constraints because Phair had moved into her parents' house which was far from the studio, and Wood had to manage his time between his work at the studio and his work as a janitor. [27], As per the liner notes of the 2008 reissue:[28], ^shipments figures based on certification alone, Girly-Sound to Guyville: The 25th Anniversary Box Set, "Liz Phair Releasing Rare Girly-Sound Demos With 'Funstyle' LP", "Liz Phair on 'Guyville' and the Secret to a Successful Topless Photo Shoot", "He Said, She Said: How Liz Phair Took the Rolling Stones to 'Guyville, "The Next Big Things On Local Rock Scene", Christgau's Consumer Guide: Albums of the '90s, "Liz Phair: Girly-Sound to Guyville: The 25th Anniversary Box Set", 2001 VH1 Cable Music Channel All Time Album Top 100, Pitchfork's original "Best Albums of the '90s" list, Pitchfork's 2003 "Best Albums of the '90s" list,, "Liz Phair – Exile in Guyville (2008 CD, ATO Records, ATO0059)", "American album certifications – Liz Phair – Exile in Guyville", Recording Industry Association of America, Liz Phair Reissues Exile in Guyville, Signs to ATO, October 6, 2008 NPR Live Performance in Los Angeles of 'Exile in Guyville', Girly Sound: Yo Yo Buddy Yup Yup Word to Ya Muthuh, The Tra La La Song (One Banana, Two Banana),, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from June 2013, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments figures, Pages using certification Table Entry with shipments footnote, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 January 2021, at 17:38. OLE 051-2; CD). In 1993, no rock record was as divisive as Liz Phair’s Exile in Guyville. Exile In Guyville. Exile in Guyville is the debut studio album by American singer-songwriter Liz Phair, released on June 22, 1993 by Matador Records. Originally released in 1993 on Matador Records. This kind of guy mentality, you know, where men are men and women are learning." “And the license said you had to stick around until I was dead / But if you’re tired of looking at my face, I guess I already am,” she sings in “Divorce Song.”, But it’s Phair’s ballads that express her true vulnerabilities. He was projecting onto me what he wanted my music to come out like, which was wrong. 2008. I laid down the guitar, and then I would just tell them what kind of song it would be and what kinds of instruments we needed to do. Phair’s influence extends to Kim Gordon of Sonic Youth and groups like the Breeders and L7, and to a lesser extent, Alanis Morissette and Tori Amos. However, when Phair signed to Matador, she sublet an apartment close to the studio, which simplified the process. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. Exile In Guyville By Liz Phair. And on “Strange Loop,” the cacophony that builds at the end makes you lose sense of the cadence before Phair tones down the noise and her guitar finds the rhythm again, singing happily and giving us hope amid all the catharsis we’ve heard on previous songs. What’s left are raw emotions. Despite its low-fi production, Exile in Guyville roams giddily all over the pop landscape. The videos for "Never Said" and "Stratford-On-Guy" received airplay on MTV. [26] Absent from the reissue are the two Girly-Sound demos "Shatter" and "Fuck or Die," as Phair was unable to get the samples used in both songs approved. As of July 2010, the album had sold 491,000 copies. [7], Despite this, the album inspired a number of imitators, and the lo-fi sound and emotional honesty of Phair's lyrics were frequently cited by critics as outstanding qualities. If it sucked, no one would hesitate to say so if they believed it. It was so normal, from my side of things. These cookies will be stored in your browser only with your consent. Enter Liz Phair, standing all of five feet two inches tall, with a foul mouth and a renegade image. On “Fuck and Run,” Phair, who lives in Chicago, manages to sound both wistful and pissed off. Liz Phair is a Grammy-nominated singer-songwriter whose debut album, Exile in Guyville, has been hailed as a landmark of indie rock. I was yearning to be part of a scene. Released 24 June 1993 on Matador (catalog no. Liz Phair's 'Exile In Guyville' Live Fifteen years after it was released, Exile in Guyville still resonates — if not for its faded shock value, then for its brilliant songcraft. Required fields are marked *. Necessary cookies are absolutely essential for the website to function properly. If Exile in Guyville is shockingly assured and fully formed for a debut album, there are a … The album received widespread critical and commercial success. By the spring of 1994, it had sold over 200,000 units, peaking at No. On March 15, 2018, Phair revealed that her former label Matador Records would be reissuing the album in celebration of its 25th anniversary. 2018 marks the 25th anniversary of Liz Phair’s landmark album Exile in Guyville. Girls! These sessions were thereby very different from the recording sessions with John Henderson. In 2020, it was ranked #56 by Rolling Stone in its 500 Greatest Albums of All Time list. Asked about what she sees in Guyville, Phair said that "All the guys have short, cropped hair, John Lennon glasses, flannel shirts, unpretentiously worn, not as a grunge statement. 196 on the Billboard 200 and was Matador's most successful release at the time. So I blew him off." The reissue was released on June 24, 2008 in the United States and on August 25, 2008 in the United Kingdom. Liz Phair. This category only includes cookies that ensures basic functionalities and security features of the website. The sudden success of the album also generated a somewhat negative response from Chicago’s indie music scene. Two years later, Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released. LIZ PHAIR’S 1993 DEBUT full-length album, Exile in Guyville, didn’t ask permission to rock; she just kicked out a space for herself among all the young dudes. On May 4th, Matador Records will release Girly-Sound To Guyville: The 25th Anniversary Box Set. [3] As of July 2010, the album had sold 491,000 copies. I just wanted people who thought I was not worth talking to, to listen to me." She began her career in the early 1990s in Chicago by self-releasing audiocassettes under the name Girly-Sound. The indie legend on the history of "Fuck and Run." Re-Mastered Special Edition Includes Three Unreleased B-Sides and Special Guyville Redux DVD of Liz interviewing all the original "guys" of Guyville. Eventually, Henderson stopped showing up at the studio, which made Phair move out of his apartment and start working exclusively with Brad Wood on what would become Exile in Guyville. Eventually, a Girly-Sound tape had made it to the head of Matador Records. We'll assume you're ok with this, but you can opt-out if you wish.

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